Category Archives: Newsletters

The Great Train Dance BBC Press Day

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These are some photos from the press day on Wednesday, 13th July, at Kidderminster station.  The dancers are  Emily May (CAT), Tilly Weber, Sung-Im Her, Chris Linda, Chris Vann and Michael Spenceley.  The incredible costumes are by the fabulously talented Cecilia Carey and the music will be live with Mubu Music.  The dance groups are Kimberly Clarkes group form Kidderminster College and

 

 

 

 

 

 

German Tour Spring 2011

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GERMAN TOUR 2011

Over two periods, RKDC performed 6 shows at the Kunsthaus Tacheles.  Arriving in the midst of a storm over the future of the building (one of the oldest free arts buildings in Berlin), we were amazed to see the politics of the situation.  The audiences built up consistently each night, until we were at almost capacity and the cast received 2 standing ovations.  Post show discussions were equally interesting- a different reaction to a work about war than in the UK.

New Work

After the first 3 shows the company spent a 5-day period improvising and researching Rosie Kay’s new work.  Chris, Tilly, Chris and Michael were joined by former Wild Party dancer Sung-Im Her and by Rosie Kay dancing as well.  A very exciting week created new ideas and brought up a totally new world of adventure for the company

Paderborn- 5 Rifles UK Army Base

After the research week, the company set off for the west, driving to Paderborn to stay and perform at Normandy Barracks and to 5th Battalion The Rifles.  Staying in the officer’s quarters and eating each day at the officers mess was quite new to the company, but it was the workshops with the daughters of soldiers and the performance itself that were the highlights.  The company spent 1 day working with 8 teenage girls to create a 7-minute version of 5 Soldiers, which was performed as a curtain raiser.  The show was then performed for pre-deployment troops- to whom the threat of injury is a very real danger.  In 6 months time these people will be in Afghanistan themselves.

 

Quotes

“Last night was incredible; ‘Thank you’ doesn’t seem enough…I think we have achieved what I personally, was trying to get which is more open and honest discussion about the realities of what is happening.  We all have fears to face but unless we talk about them and find a positive way to express them, they become demons.

By facing ‘demons’ before events happen you have the opportunity to develop strategies.  This surely would allow you to deal more practically with any event that presented itself.

Please leave knowing that you have definitely humanized many ‘taboo’ issues- you have lifted the forcefield of “it will never happen to me” and you have also brought two communities of young people together under a general understanding that whilst ‘the body is the frontline’ we are all human an that is ‘the bottom line’!

Thank you

With the deepest respect for all of you as professionals but also as people who have taken the time to see soldiers as human beings too.”

By Wendy Faux, Childcare Business Support Manager, Army Welfare Service, Normandy Barracks

“I was moved by both performances. This was a rare and unique opportunity for our young people and our community.  Thank you for putting the humanity of warfare at the forefront of the performance. In my work I only know soldiers as mums and dads, so it was brilliant insight for me.”

Sandy- Youth Worker, Army Welfare Service, Normandy Barracks

 

Overall, we felt that the tour was a success, and it was incredible to present the work to a new audience with totally new perspectives, both in Berlin and Paderborn.  In fact the shows after Paderborn seemed to be infected by the realisation of how real the work is, and how much it affects soldiers, all of whom told us they loved it- one soldiers saying- it’s the only thing I’ve never drifted off in!  Thanks to Wendy Faux and Sandy as well as all the girls at Paderborn, and special thanks to Milos Vuijkovic and Linda at Tacheles.  Massive thanks to Tilly Webber, Chris Linda, Chris Vann, Michael Spenceley, Tomasz Moskal, Sung-Im Her,  Simon Broadbridge, Hannah Sharpe and Louis Price.

 

 

 

 

 

Christmas 2010

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Company Newsletter December 2010

5 SOLDIERS

Following on from Rosie Kay’s incredible research period with The 4th Battalion The Rifles, Rosie Kay Dance Company created and then toured a dance theatre work named 5 SOLDIERS.  The work received outstanding press and audience responses, soldiers commenting on how authentic it was, and how it captured the tensions and excitement of their lives.

 

5 SOLDIERS

  • Work in progress at British Dance Edition 2010
  • Premiere at the International Dance Festival Birmingham on April 23rd 2010
  • Toured to 13 UK venues
  • Invited and performed at Madrid En Danza International Dance Festival in Spain, Nov 11
  • Sell out shows in Birmingham, Warwick, London and Madrid

 

Developments

  • The company recently spent a week in an aircraft hangar in Coventry, filming a new interactive version of 5 SOLDIERS
  • Website www.5soldiers.co.uk to launch in February 2011
  • New UK tour March 2011-June2011
  • Three week International residency at Kunsthaus Tacheles, Berlin, April 2011

 

Press

  • Featured in depth interview with Rosie Kay on Radio 4’s the ‘Today’ programme
  • Full page feature in Time Out and Critics Choice
  • The Times Editors Choice
  • BBC TV coverage

 

Review/Quote

… Astonishing work… Rosie Kay’s dancers get right inside the skins, the minds, the very souls of the five as they progress from the rigours of training to the breath-holding intensity of the frontline. It’s highly charged and it screams authenticity. …. Awesome.” The Stage

“I am a former Green Jacket soldier so found it very easy to follow what was going on.  I found the performance deeply moving, relevant and so representative of how soldiers are and how they cope with the contrasting aspects of their lives… But through it shines the in extinguishable light of the British soldier’s guts, determination and irrepressible sense of humour.  Thank you all.”"

 

Double Points: K

In a return to the stage for Rosie Kay and with a new dance partner, Chris Linda and Rosie performed Double Points: K at the Conservative Party Conference and at the International Association for Dance Medicine & Science (IADMS) conference in October.

 

Press

  • BBC Parliament Channel Live coverage
  • BBC 2 the Daily Politics
  • The Daily Mail article by Quentin Letts


The Great Train Dance

2010 also saw the beginning of our new project, The Great Train Dance.  This fabulous event combines the talents of RKDC, The Centre for Advance Training West Midlands, Making Choreographers, 12 professional dance leaders and over 500 participants on one day of a magical journey on the Severn Valley Railway between Kidderminster and Bridgnorth.  This event will take place on July 23rd, 2011 on the Severn Valley Railway. Tickets go on sale from January 2011, book early to avoid disappointment!

 

The Great Train Dance is a “Dancing for the Games” project, funded by Legacy Trust UK, an independent charity set up to create a cultural and sporting legacy from the 2012 Olympic and Paralympic Games across the UK. The project is inspired by London 2012 and part of the Cultural Olympiad in the West Midlands.

 

2011 and the future

  • 2011 is looking like a very exciting year for Rosie Kay Dance Company. We are delighted to have received funding from Arts Council England and Birmingham City Council for another tour of 5 SOLDIERS to 5 UK traditional venues and 2 military venues.
  • We have started a new relationship with Dave Edmonds of dep arts ltd, who is now the company’s International Promoter. This is a great development for RKDC and we are excited to be embarking on this journey.
  • We start the year with rehearsals of 5 SOLDIERS, as well as revising our repertoire works Double Points: K and Asylum to make them available for international opportunities. Our UK tour kicks off in March before a 3-week residency at Kunsthaus Tacheles in Berlin in April.
  • The launch of the interactive 5 SOLDIERS website will be early in the year and we hope to develop film ideas around the work. Summer is all about the railway and The Great Train Dance.

 

As part of the funding received, Rosie Kay and the Company will begin research on ideas for a new dance piece, due to premiere in 2012.  Rosie is keeping ideas under wraps at present, but it is sure to be something new, exciting, and demanding, a hot ticket for 2012!

 

Thanks to; Arts Council England, DanceXchange, International Dance Festival Birmingham 2010, Warwick Arts Centre, Birmingham City Council, The Rayne Foundation, British Dance Edition 2010, The Rifles Club, Customs House, Salisbury Arts Centre, Lincoln Performing Arts Centre, Hull Truck Theatre, Jersey Arts Centre, Dartington Hall, New Theatre Royal Portsmouth, The Brewhouse Theatre Taunton, International Association for Dance Medicine & Science, The Conservative Party Conference, Digital Content Development Fund, Sir Peter Rigby, Coventry Airport, Madrid en Danza, The British Council, Dancing For The Games, Legacy Trust UK, Cultural Olympiad in the West Midlands.

5 SOLDIERS Tour Dates 2011

12 March  Dance City, Temple Street, Newcastle Upon Tyne, NE1 4BR

23 March Wales Millennium Centre, Weston Studio, Bute Place, Cardiff Bay, CF10 5AL

1 April Arena Theatre, Wulfruna Street, Wolverhampton WV1 1SE

7/8/9 21/22/23 Apr Kunsthaus Tacheles, Oranienburger Straße 54-56A, 10117 Berlin, Germany

28 April Corn Exchange, Market Place, Newbury, RG14 5BD

14 May Robin Howard Dance Theatre, The Place, 17 Dukes Road, London, WC1H 9PY

26 May Hertford Theatre, C/0 Walfields, Pegs Lane, Herford, SG13 8EQ /

 

Rosie Kay is an Associate Artist of DanceXchange and internationally represented by dep arts ltd

Photo credits: Brian Slater, Jan Sansai and Louis Price

In the Army Now

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As part of my Rayne Foundation Fellowship I recently spent two weeks with the 4 Rfiles Battalion of the British Army for research purposes.

by Rosie Kay

I really had the most extraordinary time! I was expecting it to be quite tough but it really did push me to my limits both physically, with exhaustion and also in learning new skills in such a short space of time. By the end I really felt like a female warrior!!

My first week was spent on Dartmoor ‘A’ Company were doing a long exercise on Dartmoor, all done on foot, so no light armoured vehicles and carrying all your equipment. We had a long day sitting in the camp at Okehampton. I sat in on the Company Major giving the orders, and I let my ears adjust to the array of abbreviations.

It was like listening to another language, I jotted down a few that I thought sounded important to know. After some food and a few hours sleep, we set off at 3am and began marching (or tabbing as they call it) across the moor. I had felt highly intimidated, there was one female medic, and nobody quite believed I was a dancer (who would!). Would I survive the day or would it exhaust me totally? I was determined not to let the dance world down in this adventure!

Stumbling out of the Land Rover, with my very heavy pack, my helmet clattering about my ears and wearing far too many clothes (including my body armour) I truly worried about my sanity, my knees and my back! Marching across moorland in the pitch black was a weird experience indeed.

Moonless Night

We caught up with the troops, and there followed a very atmospheric and ghostly march together. Each ten minutes they would stop to check their bearings, and the troops would form a line, each facing a different way like a herringbone. It was incredible how 60 troops could easily disappear in the blackness of the moonless night. My mind started to play tricks on me and I started seeing soldiers when it was just the edge of a wall or a large bush.

Then began the first of the many attacks that I would witness over the next three days. Being a complete imbecile, I didn’t know that firing blanks meant that nothing came out of the weapon. As we got closer to the action, I tried to hide behind the officer I was with (without him noticing) as I was so frightened!

I watched as the company attacked on three sides, and realised how difficult it was to know where the enemy fire was coming from. I was also really intrigued about how the whole exercise had to be ‘choreographed’. As they attacked they had to cover each of their movements and really work together as a team.

After quite a quick battle, we had some breakfast and some tea. It was most welcome, and I even strangely enjoyed the vacuum packed ration of hamburger and beans. It reminded me a little of cat food, but I was starving after a long, dark morning. We continued across Dartmoor all day, with another battle just before dusk.

Unlike the soldiers I was able to get a lift back to the base camp as the freezing mist came down over the tors. I was very relieved as my feet were soaking wet after going in bogs up to my thighs, and I was in dire need of some more food and some rest. I got back to camp at about 7pm and had some take-away fish and chips, never were they more delicious. That was a long first day, and I crawled into my sleeping bag, knowing I would be woken up again in just a few hours.

Dartmoor

The following days on Dartmoor were taken up with seeing very different battle situations. I left the camp at midnight the next night and watched a dawn raid on a house in the middle of Dartmoor, and the following night I witnessed a very spectacular attack on a Napoleonic Fort near Plymouth.

By the end I had began to get a bit exhausted, only a few hours sleep a night, the cold and the exertion took its toll, as well as the fact that I was getting used to such a bizarre situation! I was beginning to pack and repack my day sack with true professionalism, and I would engage in chats with the soldiers about kit! This reminded me that dancers clothes really are very important when you are being physical.

Once back to Barracks I needed to get used to quite a different pace of life. There are sudden bursts of activity, a battalion run, or ‘Battle Physical Training’ (Battle PT), and then quiet periods where I didn’t have too much to do, but write up my notes and wait for the next fabulous treat to be served in the officers mess! I was staying at the officer’s mess, with my own basic but very comfortable room.

Each evening dinner was served at 7.30pm prompt, and it had a strict dress code. After all day in combat uniform it felt nice to have to dress up and feel like a normal person again in the evenings. Some evenings it felt extremely surreal to have a three-course dinner followed by chats and a glass of port!

Bullets from Russia

While at barracks I also went to the range and learned how to shoot a rifle. This was quite daunting, but I ended up discovering that I was a good shot! The company thus decided that I was indeed, as they feared, a Russian spy!

On my last two days I had the truly great experience of observing from the enemy position. R Company was playing the enemy in deserted villages on Salisbury Plain against the Coldstream Guards.

I joined them on a dank wet morning, as they were all dressed as locals in an Iraqi village. Watching how the troops took control of the village, how they interacted with people they didn’t know were friend of foe, and then how a suicide bomber completely displaced the space was fascinating.

All in all a totally once in a lifetime experience. I am using my research to start work on a new piece, with the working title of ‘The Body is The Frontline’. This probably won’t premiere until May 2010, it’s going to take a lot of research and I am hoping to collaborate with a theatre director on the content. I will keep you posted…

Many thanks to all who looked after me at Kiwi Barracks.